Jeremy Luis Lopez is a Colombian-American tenor and a recent graduate of the University of Houston’s Moores Opera Center, where he earned his Master of Music degree last year. In the 2025-2026 season, Mr. Lopez joins Sarasota Opera’s Apprentice Artist program covering Little Bat in Carlisle Floyd’s Susannah and Bogdanovich in The Merry Widow, singing scenes of Iolanta (Vaudemont), La traviata (Alfredo), La sonnambula (Elvino), La rondine (Prunier), and Mignon (Wilhelm Meister). He returns to Central City Opera in a triple role assignment of Clerk/Mayor/Father Chapelle in Douglas Moore’s The Ballad of Baby Doe, which celebrates its 70th anniversary at the home of its original commission and premiere. In the fall months, he joined Playhouse on Park in Hartford, CT for a sold-out, critically acclaimed run of All Is Calm: The Christmas Truce of 1914.

In the 2024-2025 season, Jeremy sang Pong in Puccini’s Turandot alongside Christine Goerke in the title role and tenor Limmie Pulliam as Calaf, garnering praise from the Houston Press and Houston Chronicle alongside his Pang and Pong castmates, quoted as being “a nimbly comic trio of imperial courtiers” (Gregory Barnett) and for having “melded their voices into a trio of utter delight, smooth as the Yangtze…” (D. L. Groover). Earlier in the season, he was the recipient of an Encouragement Award from the Metropolitan Opera Laffont Competition, and he appeared as the tenor soloist in Mendelssohn’s Elijah alongside the Memorial Drive Presbyterian Church Orchestra and Choir. Jeremy spent summer of 2025 with Central City Opera, where he covered the role of Jester in the beloved musical Once Upon a Mattress, and performed scenes from L’elisir d’amore (Nemorino), La Cenerentola (Don Ramiro), The Tender Land (Martin), and more.

In the summer of 2024, Jeremy was a resident artist at Teatro Nuovo, where he covered Tebaldo in I Capuleti e i Montecchi and sang scenes from La bohème (Rodolfo) and La traviata (Alfredo). In the 2023-2024 season, Mr. Lopez sang in a workshop with Tom Cipullo of the acclaimed composer’s new work, Hobson’s Choice, in the principal tenor role of Will Mossop. He sang Camille de Rosillon in Die lustige Witwe and Chrysodule Babylas in Monsieur Choufleuri at the Moores Opera Center, and covered Contino del Fiore, singing the role of Bortolo in the modern-day premiere of the Ricci brothers’ comedy, Crispino e la Comare with Teatro Nuovo at Lincoln Center. In concert, Mr. Lopez joined the Memorial Drive Presbyterian Church Orchestra and Choir with conductor Charles Hausmann, singing the tenor solo in Dan Forrest’s Requiem for the Living.

Previous seasons have included Chevalier de la Force in Dialogues of the Carmelites with Bronx Opera, Mr. Plume in Der Schauspieldirektor at Eastman Opera Theater, and Le petit vieillard and La rainette in L’enfant et les sortilèges at Eastman Opera Theater. Mr. Lopez also gave a solo recital with pianist Michele Wong for the Caumsett Foundation Summer Concert Series, and joined the Bel Canto Institute of San Miguel de Allende for concerts with pianist Ted Taylor.

Jeremy was a finalist in the Dorothy Lincoln-Smith Competition through the National Society of Arts and Letters, a semi-finalist for the Koussevitszky Young Artist Award through the Musicians Club of New York, and a semi-finalist in the Premier Opera Foundation’s International Vocal Competition. A native of Long Island, New York, Mr. Lopez holds a Bachelor of Music from the Eastman School of Music, where he also earned a minor in Italian and a Certificate of Arts Leadership.